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This post is an update to my earlier review of brushes HERE.
One of the most common watercolor questions I get: what brush is that? Granted, thats my red flag that Im talking with someone who hasnt binge-watched my watercolor videos! But I dont mind I just repeat again that for crafters, I recommend Silver Black Velvet brushes. And yetthats not what this is about today!
Ive never really talked about the differences between natural and synthetic brushes, why you might want both, what youd use them for.and Im hoping that this little head-to-head video will show you some of the things each can do. Not all brands do exactly the same things, so youll need to learn your own brushes behaviors. But for those who use the hybrid Black Velvets (part synthetic part natural), these differences might help you know what to expect from those, too.
Supplies for this project are linked at the end of this post. Compensated affiliate links may be used at no cost to you.
One more thing before we start: I have not tried out every brand, every brush, nor do I plan to, though I finally have some Escodas on order because of all I hear about them. Many thanks to those who purchased paintings in my first week of the launch of my Fine Art site, you bought brushes!
Please dont ask me to review your favorite brush if its your favorite and it works, rock on with it! I am NOT a supply-review-nerd like some folks are. I bought a range of brushes so I could get a good sense of what synthetics and naturals DO, and could give you my impressions of their upsides and downsides.
Lets get going!
Some use the term bristle but I find natural brushes to be so soft and luscious that I cant seem to bring myself to say theyre bristles.
Yes, theyre expensive. As Ive said many times before, you get what you pay for whether its a bra, a car, or art supplies. You dont need a full collection of them, either. No one is saying you need a bunch to be an artist frankly a lot of artists do just fine without any at all! But since Im that dork who buys things so you know if you need them or would want them, Im here talking about them.
Yes, made from animal hairs. (Thats what makes them natural. Before those who love animals as do I jump on me, PLEASE know that natural paintbrushes are NOT the source of any die-off of animals; artists are a tiny portion of the world, and watercolorists a tiny part of that, and artists who buy natural hair brushes are a tiny part of that. My natural hair brushes are going to last my LIFETIME. Its not like a consumer product that gets replaced over and over.
Yes, they are better brushes. While I dont have a huge broad swath of experience with a ton of brands (Im not independently wealthy Ive collected my natural brushes over YEARS), the really good brushes that I own are generally my first ones to grab. Part of it is the experience natural brushes float across the paper in a different way than synthetics do..once I used natural hair brushes, I found my synthetics have a drag to them. NOTE there are times when I *want* that drag, or that specific thing a synthetic does!
Yes, they deliver paint and water differently. As seen in the video above, natural hair brushes release pigment and water at a different rate than the synthetics I have tried. Its more consistent and steady, without an instant slooge of moisture when it hits the paper. These also tend (again a generalization) to provide better edgesbecause of the control you can get.
Yes, they come in more than round. I do have some flats, and of course my needle nose (my pet name for it) brush. I was just trying to keep this assessment to similar brushes.
Yes, they last longer. Part of what keeps a brush intact is how you take care of it. NEVER dry it pointing upward and letting all that water drain into the metal of the brush; your bristles will fall out! But even taking good care of them, Ive replaced many of my synthetics over the last few yearsthey get a bit dog-eared and lose their snap or point, and I havent noted any change to my Winsor & Newton 10 that was my first one about 5 years ago.
My favorite brushes, of course, had to be the ones you need to sell a kidney to get Winsor & Newton. I tried one at the art store a few years ago and was just gaga over it right away! da Vincis Maestro are my second favorites but they are less expensive and more ubiquitous. (Its been harder over the last 2 years to find the WN brushes online, no idea why as of yet.)
Winso &r Newton Series 7, Round 8 and Round 10 da Vinci Series 17 Maestro Long Needle Red Sable, Size 9 da Vinci Maestro Kolinsky Sable Round 14 vs da Vinci Casaneo 14 roundSynthetics are manmade replicas of those natural hair brushes and blends have a mix and there are some quite nice ones that work pretty well! They often but not always have decent snap and for many artists and many techniques, thats more important than the benefits of natural brushes, which I find have less snap to them. (Maybe thats why natural brushes glide better they arent trying to bounce back into shape?)
Yes theyre less expensive. Ive recommended the Silver Brush Black Velvet brushes for crafters especially they are more affordable for a crafty dabbler which is important in leaving budget for everything else! Theres a wide range of cost I always recommend going for juuuuussssst up to the edge of uncomfortable. You usually wont regret it, and it will help you last longer before you feel like you need a new brush to get you further in your art.
Want more information on synthetic vs natural brushes? Feel free to contact us.
Yes, theyre of varying quality. I cant speak to every brandsome have all synthetics, some are a blend of synthetic plus natural. And sometimes its hard to even determine that information! But as someone with cups full of brushes I never touch I can tell you a decent brush is worth whatever it costs. I dont toss my icky brushes because Ill get them out to use with acrylics or other products that I dont want to damage my good brushes.
Yes you can go your whole life using only synthetics. This post is not trying to get you to buy any new brushes. Just to explain to you what Ive been learning about the brushes I own. You can run your own tests of your brushes find the sweet spot for each, so when youre looking for a specific kind of stroke or effect, youll know which brush is most likely to give it to you.
Silver Brush Black Velvet, Round 8, 10, 12 Princeton Aqua Elite 12 LongIn the test I ran on that little set of Sable Rotmarder brushes which were so cheap they cast doubt on themselves before they even arrived it has caused me no end of confusion. I always thought Sable and Kolinksy were critter names but began to notice a lot of brushes use those words but arent natural brushes. Its possible theyre mixes with a little of those natural hairs in them, or maybe I am just understanding the name of brushes wrong HOWEVER its not as important to know what kind of brush it is than how it performs. If you have brushes that work but arent sure what kind of hair theyre made of dont sweat it! If they give you good results, keep painting!
EDITED TO ADD: according to YT comments theres apparently a critter thats weasel-like that this brush is made from. So theyre natural hair? By *performance* this critter doesnt do what my other natural brushes do.
The Rotmarders performance was more akin to a synthetic in its dispensation of pigment and water, for sure. But they dont have the snap that a full synthetic often does. And are missing the $$$ of natural brushes. Ive used them a bit since producing this video, and Im revising my bet on them they could be a mix of synthetic + natural, or a student grade brush? More painting with them will help me categorize them better for myself so far, for the money you could do worse for sure. da Vinci is such a good brand, Im going to guess these could end up sticking with me for particular uses.
If painting trees is your jam or your wannabe jam check out the Landscape Foundations: Trees I class or Landscape Foundations: Trees II class! I definitely recommend them in order but if youve got some experience you might well be able to jump into II.
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Re that graphic very illustrative, but also somewhat misleading:
All synthetic is not the same. Especially more expensive synthetic will (usually) have a microscopic flags or other surface enhancements.
The problem for the consumer (and even the more professional buyer like an art supply shop) is that it is really, really hard to know what a synthetic is actually like from just the name of a synthetic fibre. They come up with all kinds of names, and a chemical name says very little, since synthetic fibres can be spun in so many ways.
To make matters even worse, you cant *always* rely on price being an indicator of quality when it comes to brushes: where it is made, brand names, where it is supposed to be sold, etc all influence price.
Which means that you can pick up dirt-cheap synthetics that are actually good, and pay quite a bit for something that isnt really top of the line.
As to trying out new types of brushes, heres what I would do if I were the OP:
Think about what you like and dont like in the current brushes (stiffer, softer, more precise, etc). If possible go to a local art supply and talk to the people there they should know what they are selling, and should be able to offer guidance. Handling brushes also helps a bit to get a feel for them (but ask first! In our shop I have petting and testing brushes and am forever rescuing the stiffly glued brushes out of customers hands)
If the local art supply isnt very good about this thing, one easy thing to do to test whether it is worth investigating expensive natural hairs a bit more would be to buy a small, cheap-ish Kolinsky Sable and test how it behaves with your paints and in your hands. Shouldnt be more than maybe 5-10 bucks, or even less if you go for something really cheap (but then you have to factor in that defects such as shedding hairs or falling apart from solvents is NOT typical for the brush type, just for the quality level).
One thing Id warn against, at least at this stage, with oils are natural/synthetic mixes. They might be fine if the synthetic component is mostly just to give it some snap and longevity, but they might be a disaster if the synthetic is actually meant to mimic the (water-) absorbency of sable or squirrel.
(My absolute favourite synthetic for water media, very springy, stiffish, very absorbent, was worse than useless with oils. And I fear it is ruined for ever. Luckily I have a few more :-))
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